Posts tagged 2020
I Think Beethoven Encoded His Deafness in His Music (New York Times)

by Gabriela Lena Frank

When I’m really under a deadline, and need to get new ideas quickly, I don’t usually listen to music, as some composers do. In fact, I do the opposite: I take off my hearing aids and stay in silence for a few days. In the absence of sound, my imagination goes to different places. It’s a bit like being in a dream when unusual and often impossible events come together, the perfect place from which to compose.

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You taught me everything when you didn't mean to

by Gabriela Lena Frank

I was well aware of taking up the time of a man who had been a young soldier in one of the world’s ugliest wars, who later experienced what no parent ever should in losing a young child, and whose own face was startlingly altered after fighting serious illness. You still believed in teaching and writing great music, and that made me even more devoted.

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Our Crises Are Connected: COVID-19's Lessons for the Growing Climate Emergency

by Gabriela Lena Frank and Rebecca McFaul

We just can’t catch a break. That’s the thought going through every Californian’s mind in 2020, a truly unbelievable year. In this state, a long-time “contested Eden” of opportunity, Californians have been engaged in an awful feat of juggling: COVID-19, long overdue racial reconciliation, its senator in a brawl of a presidential race, and otherworldly wildfires… Wildfires in canyons, wildfires from freak dry lightning storms, wildfires lining major freeways and incinerating urban neighborhoods, wildfires that cast a smoky dark red glow of alarm over the entire West coast. The haunting rain of ashes—remnants of ruined homes, schools, cultural centers, and dreams—is not entirely filtered by the dutiful face mask encountering virus and soot.

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Fluency

by Gabriela Lena Frank

I still have a tiny speech impediment and if I've not been wearing my hearing aids for a couple of days — like after sequestering myself in my studio to meet a composing deadline — my speech gets pretty funny, like a brown lady Elmer Fudd.

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Bartok, my daddy

by Gabriela Lena Frank

It is a simply ravishing album, an aptly effective antidote to the more humbling moments of dog ownership. But as I was throwing away soiled paper towels, I felt twinges of unexpected and not altogether pleasant nostalgia.

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It began in a practice room

by Gabriela Lena Frank

If ever there was a time for social activism, this would be it: Thus far, 2020 has birthed a planet-wide pandemic, cataclysmic economic decline, and a chilling reckoning with historically-embedded racial violence. In my native California, we also face a predicted worse-than-usual fire season, already made hellish these past three years from climate crisis which ominously predicts more pandemics in the future.

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On empty platitudes of racial solidarity from arts organizations

by Gabriela Lena Frank

The real impetus for GLFCAM is a hate crime. And I honestly couldn't say those words until recently. I'd been mainly framing this pivotal incident during a cross-country trip with Jeremy as a run-in with an a**hole at a truck stop who suddenly announced his presence with a bodyblow from behind, knocking me down and showing me his gun in MAGA solidarity.

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Composing a Musicians' Climate Citizenry

by Gabriela Lena Frank and Rebecca McFaul

In Boonville, California, a composer wakes from another nightmare, one of many lingering remnants of trauma wrought by two years of apocalyptic wildfires. Having left her native Bay Area to build a permaculture homestead in the rural north, she has missed concerts to stay behind with her husband during fire emergencies, and asked for extensions on pieces due. The two have become regulars at classes at the local fire station, and she watches her spouse toil daily clearing brush and felling trees to mitigate danger. On her mind, always, is Paradise, a nearby city of thousands that became a ghost town in a matter of hours in the Camp Fire of 2018. She, too, worries.

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