Review: Two Years Later, a Beethoven Cycle Reaches Its Finale (New York Times)

By Joshua Barone

Feb. 22, 2022

The Philadelphia Orchestra’s cycle of Beethoven symphonies was supposed to come to Carnegie Hall in spring 2020. It should go without saying: It didn’t.

But that series of concerts belongs to the lucky class of canceled performances that have found their way back to the stage. The journey, however, has been a mirror of our continued pandemic uncertainty. Although the cycle started last fall when the Fifth Symphony opened Carnegie’s season, it was delayed once again in January when the Omicron variant pushed off Beethoven’s Ninth — and its full-choir “Ode to Joy.”

So only on Monday did the cycle reach its conclusion, with the Philadelphians’ music director, Yannick Nézet-Séguin, at the podium for the First Symphony and the mighty Ninth, alongside a world premiere inspired by it, Gabriela Lena Frank’s “Pachamama Meets an Ode.”

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Gabriela Lena Frank